Good news! We expect The Long Shadow‘s producer, Jed Riffe, and filmmaker, Maureen Gosling, to speak at the January 16 and 19 screenings of The Long Shadow.
Gosling has been a documentary filmmaker for more than thirty years and is best known for her twenty-year collaboration with acclaimed independent filmmaker, Les Blank. Her work has often focused on on themes of people and their cultural values and the changing roles of men and women. Her films have been seen in countless film festivals around the world, on national public and cable television and on television around the world.
Riffe is an award-winning independent filmmaker and new media producer. He is best known as the director and producer of Ishi, the Last Yahi, the true story of the man known as the Last Wild Indian in North America.
Between them, Riffe and Gosling have been involved in numerous films screened by ADFS, including A New Color, Boys Will be Men, and The Way Home.
In January, ADFS will screen The Long Shadow, an uncompromising look at slavery, America’s original sin, and how politics and policy have extended its effect to the present day — told by a filmmaker whose family owned slaves for generations.
“Of all the divisions in America, none is as insidious and destructive as racism. In this powerful documentary, the filmmakers, both privileged daughters of the South, who were haunted by their families slave owning pasts, passionately seek the hidden truth and the untold stories of how America—guided by the South’s powerful political influence—steadily, deliberately and at times secretly, established white privilege in our institutions, laws, culture and economy.
William Faulkner once said, “The past is never dead. The past is not even past.” …This echoes one scholar’s warning in the film: “We’re still fighting the Civil War, and the South is winning.” Anti-black racism has survived like “an infection”, rigging the game against African-Americans and denying them full access to the American dream.
By telling individual stories—of free, enterprising blacks in Canada; of a modern, racially motivated shooting—the filmmakers movingly personalize the costs and the stakes of our continued inaction. The Long Shadow presents a startling, unrecognized history that provides much needed context when considering the major issues impacting black/white relations in the United States today.
In Oakland 1 / 19 / 20 The New Parkway Theater 474 24th Street Oakland (btw Telegraph & Broadway) 12:30 pm Screening & Discussion Food available for purchase — Come for brunch!
Finally, The Long Shadow is a masterful film that captures the disturbing story of the enduring human cost of prejudice and ignorance in the US that continues to cast a long shadow over our national identity and values and ultimately, our celebrated democracy.” — thelongshadowfilm.com
So says Leslie Felperin of the Hollywood Reporter about Knock Down the House, ADFS’s December offering. And she wasn’t alone: Knock won both the 2019 Sundance Audience Award and the Critics’ Choice Documentary Award, along with many other honors.
When tragedy struck her family in the midst of the financial crisis, Bronx-born Alexandria Ocasio-Cortez had to work double shifts in a restaurant to save her home from foreclosure. Amy Vilela in Nevada, after losing a loved one to a preventable medical condition, didn’t know what to do with the anger she felt about America’s broken health care system. Cori Bush of Missouri was drawn into the streets when the police shooting of an unarmed black man brought protests and tanks into her neighborhood. In West Virginia, Paula Jean Swearegin was fed up with watching her friends and family suffer and die from the environmental effects of the coal industry.
At a moment of historic volatility in American politics, these four women decide to fight back, setting themselves on a journey that will change their lives and their country forever. Without political experience or corporate money, these women, and a vast army of political volunteers, build a movement of insurgent candidates challenging powerful Congressional incumbents. Their efforts result in a legendary upset.
NB: Oakland’s screening will be followed by a conversation with Oakland City Council Member Nikki Fortunato-Bas, sho will discuss her nontraditional path from political activism to elective politics.
Throughout American history, there has been an undeniable divide between urban and rural America. People from certain regions are viewed as “the other,” and blamed for America’s social ills. Since the 2016 presidential election, that cultural divide has only expanded and deepened. With their documentary Hillbilly, co-directors Ashley York and Sally Rubin — both natives of Appalachia— have made a complex film about complex people. Hillbilly is an entertaining, informative, and sobering look at Appalachia: its diversity, the consequences of stereotyping its people, and an examination of why so many there voted for Donald Trump.
Hillbilly goes on a personal and political journey into the heart of the Appalachian coalfields, exploring the role of media representation in the creation of the iconic American “hillbilly,” and examining the social, cultural, and political underpinnings of this infamous stereotype.
Filmed in Georgia, Kentucky, Ohio, Tennessee, Virginia, and West Virginia, Hillbilly uncovers communities of artists, activists, queer musicians, “Affrilachian” poets, and feminists — all unexpected voices emerging from this historically misunderstood region. Hillbilly introduces audiences to a nuanced, authentic Appalachia that is quite conscious of how it has been portrayed and the impacts of those portrayals. The film deconstructs such famous characterizations of the region as Deliverance, The Beverly Hillbillies, The Simpsons, and MTV’s Buckwild,” while asking crucial questions: Where did the hillbilly archetype come from and why has it endured on-screen for more than a hundred years? How does it relate to the exploitation of the land and people who live there? How do Appalachian and rural people view themselves as a result of these negative portrayals, and what is the impact on the rest of America?
The Appreciating Diversity Film Committee chose this surprising, valuable documentary in order to have Bay Area viewers ask, “How do we get beyond the typical hillbilly caricature and learn more about today’s real Appalachian people?” Program organizers found themselves eager to challenge their own prejudices and find out more about the rural South, and they invite audiences to view and discuss the film. Hillbilly is a timely and urgent exploration of how we see and think about poverty and rural identity in contemporary America, offering a call for dialogue.
“I’m happy to see somebody trying to cover us as we really are and not what some people think we are. It’s wonderful the attention you’ve paid to so many areas that are so important to all of us. I’m proud to have been mentioned in the film a time or two.” —Dolly Parton
Los Angeles Film Festival Jury Prize for Best Documentary
NB: Documentary filmmaker Rick Goldsmith, whose films have been nominated for Academy Awards and featured in our Series before will facilitate 10/17’s conversation about Hillbilly!
“Science Fair melts your heart almost as soon as it begins.” RogerEbert.com
“Utterly winning. Like Hoop Dreams for test tubes and genomes.” — Entertainment Weekly
The International Science and Engineering Fair draws more than 1,500 high schoolers from over 70 countries to compete with everything from proposed engineering feats, to computer projects and ideas to cure cancer. The documentary — by turns hilarious, heartbreaking and exciting — follows hopefuls including quirky nerds, semi-popular kids and slick presenters with practiced elevator pitches, on their journey to the competition.
These are some of the most brilliant young minds in the world, and their personalities turn out to be as big as their minds. These kids are picking up the mantle of science at a time when there’s a feeling that our country is turning its back on science. State budgets for science fairs are being slashed, meaning an important platform for fostering these kids’ interest in and enthusiasm for science might disappear, and with it the innovation and intelligence capital the future of our country needs.
But the film’s beautiful, beating heart is these kids. Co-director Cristina Constantini, herself a former ISEF competitor, says, “I was weeping,” while shooting the film. And so will you.
“Science Fair is a celebration of intellect and kids who want to improve the world. Turns out science is pretty cool, after all.” Detroitnews.com
Dolores Huerta is among the most important, yet least known, activists in American history. An equal partner in co-founding the first farm workers unions with Cesar Chavez, her enormous contributions have gone largely unrecognized. Dolores tirelessly led the fight for racial and labor justice alongside Chavez, becoming one of the most defiant feminists of the twentieth century—and she continues the fight to this day, at 88.
Today’s recognition of the importance of women in leadership, as well as the challenges women still face in becoming leaders, sheds new light on Huerta’s path. With intimate and unprecedented access to this intensely private mother to eleven, Director Peter Bratt reveals the raw, personal stakes involved in committing one’s life to social change.
The Piedmont screening will feature a great taco truck outside the theater for 90 minutes before the screening. Come early to avoid a long line!
“exuberantly inspiring…makes you want to march and dance.” David Talbot, San Francisco Chronicle
Among its many awards:
Best Documentary Feature: SF International Film Festival
Best Documentary: Seattle International Film Festival
Best Documentary: New Orleans Film Festival
OUR SCREENINGS ARE ALWAYS FREE !
Thursday, June 6, 2019 in Piedmont:
5:30 – 7 PM TACO Truck outside Ellen Driscoll (food for purchase) GET THERE EARLY TO AVOID A LINE!